Transmission rambling: The embodied artist (17th Feb 2010)

9 06 2010

By Xesko

Since the beginning Stitt captivated the audience, writes in slang because is what life is, made from day by day and not for institutions. There is no doubt that he is a born performer, his intonations of voice during the presentation, the quieter moments, the lower and raise the tone at the right time… Anyway, we’re in the presence of art in person, the public absorbed his words in silence and during the brief moments of pause in the speech, we can hear a feather falls to the floor. From many years I didn’t saw such control of the public, reminded me of my time in lectures, in which masterfully similar, I dominated audiences of 300 persons and over. I was fascinated by him.

His performance was clear and concrete; we discovered his greatest influence, Joseph Beuys, an artist who he found one day at the market when he was only eleven years old and become strongly marked by him. We learn that his artistic career was involved in drugs, decadence and alcohol until the year 1992, when he was rehabilitated, and how he had entered in a creative marasmus, until 2000 when the political instability, became a new inspiration. How is possible that a description of a life, becomes a performance so well structured and perfect?

I could stay here for hours talking about his performance and what he described as the post-modern fuck, but it’s best finish here, than fall into the error of idolatry, referring only three things that marked me throughout the performance. The statement that “an artist, can´t be created, born an artist” and that “the impulse to final solutions is the dilemma himself”, and finally the way how ended his presentation:

But making art is not yet meant what it seems

But making art is not yet meant what it seems

But making art is not yet meant what it seems

But making art is not yet meant what it seems

But making art is not yet meant what it seems

Summarize it in one word. Brilliant.

Want to read more? Writings from my Head





Transmission review: Andre Stitt and the post-modern fuck (February 17, 2010)

9 06 2010

By Brook Davis

Andre Stitt is a natural born performer and embodies art himself.

He embodies the transformative act, like if it was is private religion, transforming all is life in a performance, based in drugs, alcohol provocation and violence.

This was the fuel until 1992, when he stopped drinking, entering in a period of creative marasmus, until i2000 when the political instability, awoke him again to the art. Currently, it takes a more relaxed life turned to drawing and painting and contemplation of life and death.

He presented us with an extraordinary performance, which was nothing more than the portrait of his life.

Describes life as it is, without language subterfuges, using slang, like is used in everyday life, and refers to the present day as the post-modern fuck.

… Every akshun (action?) is a performance of conscientiousness, maan, reflecting a familiar or emotional trauma. But we all inhabit different worlds …

Want to read more? Writings from my Head








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